Saturday, October 21, 2017

DC's Sackler Gallery explores interfaith dialogue with ‘Terminal’

THE HOYA
AISHA MALHAS FOR THE HOYA
WASHINGTON, DC---Subodh Gupta’s monumental installation “Terminal,” is currently on display at the Sackler Pavilion of the Smithsonian Institution’s Arthur M. Sackler Gallery to celebrate the reopenings of the Sackler Gallery and Freer Gallery of Art. Featuring 30 gleaming brass towers, the exhibit by the internationally renowned Indian artist also marks the 30th anniversary of the Smithsonian’s Sackler Gallery. The Sackler Gallery presents artwork from contemporary Asian artists through several exhibitions and public programs. Gupta’s installation reflects the gallery’s goal: “to share the rich diversity of Asian art across time and space.” The exhibition is on display at the Sackler Gallery until June 24, 2018. [More]

Friday, October 20, 2017

The Cleveland Museum of Art opens Beyond Angkor: Cambodian Sculpture from Banteay Chhmar

ARTDAILY
Bas-relief of Ten-armed Lokeshvara, about 1216. Northwestern Cambodia, Banteay Chhmar, west wall, reign of Jayavarman VII. Sandstone; 53 blocks, section averaging 275 x 325 x 22 cm. National Museum of Cambodia, Phnom Penh, Ka.2859. © École française d’Extrême-Orient, fonds Cambodge, CAM10921.
CLEVELAND---"Beyond Angkor: Cambodian Sculpture from Banteay Chhmar" features an unprecedented loan from the National Museum of Cambodia consisting of a section of the 800-year-old sculpted enclosure wall of the great royal temple at Banteay Chhmar. Intricately carved, the wall depicts a larger-than-life image of the bodhisattva of compassion in the form of the 10-armed Lokeshvara, “Lord of the World,” surrounded by devotees. In 2015 the Cleveland Museum of Art forged a Cultural Cooperation Agreement with the National Museum of Cambodia, following the transfer of a tenth-century Khmer sculpture of the monkey god Hanuman from Cleveland to Cambodia. The agreement allowed for exceptional works of art to be lent for exhibition at the CMA in order to promote knowledge and appreciation of Cambodia’s cultural heritage. [More]

Freer and Sackler Galleries reopen during celebration of Asian culture

THE HOYA
AISHA MALHAS/THE HOYA
WASHINGTON, DC---Patterned paper lanterns, a vast maze of Asian food stalls and the sounds of traditional Middle Eastern songs greeted visitors of the Smithsonian Institution’s Freer Gallery of Art and Arthur M. Sackler Gallery during their grand reopening celebration last weekend. The two-day celebration, “IlluminAsia: A Festival of Asian Art, Food and Cultures,” featured interactive programming throughout the galleries in addition to highlighting a number of new and updated exhibitions in the remodeled space. The Freer Gallery welcomed visitors for the first time since January 2016, when the gallery closed for what was the museum’s second large-scale renovation in its 94-year history. [More]

Thursday, October 19, 2017

Collectors: David and Sybil Yurman: Out of Africa — and the subconscious

THE NEW YORK TIMES
Show Us Your Walls
By Warren Strugatch
The jewelry designers David and Sybil Yurman in their SoHo apartment. Credit Alex Welsh for The New York Times
When the SoHo jewelry-design power couple David and Sybil Yurman bought the adjacent penthouse in their building two years ago, converting much of it into studio space, it gave them the opportunity to stretch out stylishly in their original loft just across the hall. Since then they have been rearranging and adding to their collections of furniture and art. The masks are mostly African in origin or inspiration. Other objects have an Asian aesthetic. A few of Mr. Yurman’s jewelry pieces and small sculptures — he began his career as an apprentice to Jacques Lipchitz — and Ms. Yurman’s paintings are included too. Their favorite pieces enjoy places of honor on a living room cabinet, but arrangements are not firmly fixed. [More]